BLOODSTONE THEATRICAL was founded on Long Island’s East End in the summer of 2011 by director Bill Burford and a group of actors to explore new ways to interpret and play character.
One aim has been to foster actors’ ability to intuitively and independently develop compelling characters for audition and performance, whether or not they have time to prepare or substantial input from a director. Another aim has been to try out ways to experience and engage one another in performance using new techniques (see Centers & Realms) to enrich physical characterization, better specify dramatic action, and make influencing one another more palpable for players and audience alike.
By fall of 2011, a workshop series was established at Chelsea Studios in Manhattan that continued into mid-2016. During that time, Bloodstone mounted readings of classics using techniques developed in the workshops. In 2015, the company produced Night with Guests by Peter Weiss at the New York International Fringe Festival, adding physical theatre portrayals and live underscoring to the company’s performances. In 2016, Bloodstone presented West of Roan’s The Sealskin in Sag Harbor, NY, an original shadow and puppet play with traditional music based on natural and musical spells.
Bloodstone aims to:
a) use traditional stage techniques to elicit connection with older, pre-conceptual, more directly intuitive parts of our psyches
b) ground the embodiment and voicing of character portrayals using seven physiological centers of intelligence as a ready guide to the operations and evolutionary stages of passion
c) tour and compare notes with others on theatrical stories that use emergence, nested intelligences, and other kinds of natural energy patterning to produce illuminating spells in performance.